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Spiegel, Issue 27,1999\u00a0\u00a0 \u21d2PDF<\/a><\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n Christof Wackernagel, the actor has painted three very abstract holy kings, which are so good that I would I hang them in the kitchen.<\/span> Christof Wackernagel\u00b4s symbols\u00a0 represent in their entirety nothing less than an interactive universal communication system paramounting all languages.<\/span> Christof Wackernagel presents contemporary idiosyncratic pictures which are exciting and hidden like hieroglyphics with his paintings. The set of geometrically ordered series of abstract figures on each sheet are reminiscent of characters that are needed to read and decipher them and act in their composition as coded stories. They serve as a stimulus for free association to the viewer to puzzle and unravel .<\/span> It not only leaps to the eye –\u00a0 even the thoughts leap<\/span> The character images can not be dealt with without imagination but also not without humor and\u00a0 reflective thought. You can try to put together the character images as a rebus, to read them like a cryptogram, to form the marks like the letters to a word or the words into a sentence or sentences into a picture. It is also conceivable to take the symbols of an image for oneself giving some meaning and others only beauty.<\/span> state mark<\/span> New traditions based on pushing a combination of classical modernism, avant-garde and contemporary art for the masses: Modern goes Pop Art !<\/span> German \u00a0 Spiegel, Issue 27,1999\u00a0\u00a0 \u21d2PDF Christof Wackernagel, the actor has painted three very abstract holy kings, which are so good that I would I hang them in the kitchen. Christine Westermann Christof Wackernagel\u00b4s symbols\u00a0 represent in their entirety nothing less than an interactive universal communication system paramounting all languages. Claudia … Continue reading “Voices”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-67","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/pages\/67","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/comments?post=67"}],"version-history":[{"count":13,"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/pages\/67\/revisions"}],"predecessor-version":[{"id":787,"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/pages\/67\/revisions\/787"}],"wp:attachment":[{"href":"http:\/\/www.christofwackernagel.de\/hieroglyphics\/wp-json\/wp\/v2\/media?parent=67"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nChristine Westermann<\/span><\/em><\/p>\n
\nClaudia Tarabay<\/span><\/em><\/p>\n
\nUlrich Fischer<\/span><\/em><\/p>\n
\nProf. G\u00fcnter nail – head of the Bavarian Survey Office<\/span><\/em><\/p>\n
\nDirk from K\u00fcgelen<\/span><\/em><\/p>\n
\nEberhard Jost<\/span><\/em><\/p>\n
\nF.K. ( Exhibition visitors )a<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"